There is something about Anurag Kashyap that puts the cinema watchdogs on alert, says Veenu Sandhu.
'We used to have beautifully crafted, witty and touching duets which taught the genders how to speak and romance each other.' 'Where else would we get the genius of Lata Mangeshkar and Asha Bhosle from?'
'As a director, I am happy to take the blame because that's mine but I get blamed for everything.' Anurag Kashyap gets candid.
'According to legal advice provided to me then, I was told we had very limited options.' 'Now in hindsight and after taking stock of things myself, I can quite see how I was ill-advised.'
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
'The biggest success of Andhadhun is that viewers are thinking and debating about it. I didn't expect it,' Sriram Raghavan tells Ronjita Kulkarni/Rediff.com.
'When we make these action machismo films, the stupidest thing is to show that the hero sails through a thousand people. It's a tradition we have grown up with.' 'We don't have the basis of creating a Bruce Lee or a Jackie Chan.'
Putting together a play about the Father of the Nation is no easy task. But when that play is a musical, the challenges increase.
'This is a movie made with this gaze fixed on its immediate well-wishers, while at the same time it squints hard looking for those swaying back and forth on the fence,' notes Rohit Sathish Nair.
Rifleman Aurangzeb, who belonged to the 44 Rashtriya Rifles, was on way back home on June 14 to celebrate Eid when terrorists abducted him.
'My father knows that he was not good in Parinda. He himself told me that he messed it up because he was so successful at that time with Ram Lakhan and Tezaab. He was so iconic as Munna that he tried to recreate it all the time. It is not necessarily the best thing to do.' Harshvardhan Kapoor says why he's blessed to be an actor in today's days.
A round-up of Ranji matches played on Monday
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